“The mood of CineStill makes my jaw drop, but damn, Natura is amazing too! I need to re-edit my portfolio now that I’ve found my new favorite presets!”
- Elisabeth E.
- Elisabeth E.
“The mood of CineStill makes my jaw drop, but damn, Natura is amazing too! I need to re-edit my portfolio now that I’ve found my new favorite presets!”
- Elisabeth E.
- Elisabeth E.
Featured in:
Meet your Night & Day looks!
Below are the different, unqiue preset looks included in this pack.
Cinestill 800T
This cult classic tungsten-balanced film comes from the world of cinema, with edgy blue green shadows, vibrant reds, and a unique pink glow around lights. Perfect for night time and neon lights.
Natura 1600
A low light, versatile color film look which has lush fuji greens, warm and gorgeous skin tones, and medium contrast optimized for studio work and off-camera flash.
T-Max P3200
A gritty black and white with lots of grain, a big attitude, and forgiving contrast. The film has an inherent flatness in the shadows and a smooth transition through mid-tones and highlights, making it perfect for preserving detail in even the most difficult lighting.
T-Max P3200
Photo: Irina Polonina
Natura 1600
Photo: Daryl Love
CineStill 800T
Photo: Luis Velasco
CineStill 800T
Photo: Ibai Acevedo
T-Max P3200
Photo: Kirk Mastin
Natura 1600
Photo: Bonnin Studio
Custom Tools for Night & Day
We've created tools specific for the film looks in this pack.
Halation Tool
This tool gives your CineStill edits that signature CineStill red/orange bloom around lights.
Strobe Soften
This tool opens up a whole new world of film emulation in the studio by optimizing the micro-contrast of each film look for studio strobe and flash photography.
Dynamic Noise Reduction
This tool applies just the right amount of noise reduction to give your images a clean look without losing fine detail.
Mastin Magic Toolkit™
Also included with your preset pack, our standard pack toolkit to help you correct the trickiest photos.
AUTO WHITE BALANCE
Sometimes your camera gets it wrong. Get a starting point for true-to-life color.
LENS CORRECTION
Fix vignetting and distortion, minimize color fringing, and remove chromatic aberration to instantly improve every image..
AUTO TRANSFORM
Tired of crooked buildings?Clean up your photosby correcting vertical and horizontal lines.
ORANGE REDUCTION
A lifesaver for mixed light, extra warm sunsets, and spray tans that just won’t quit.
TONE PROFILES
Inspired by the original tone profiles from the Fuji Frontier film scanner, these correct contrast while preserving the look of film.
GRAIN
While our presets start grain-free, you can complete your look with 35mm or medium-format grain.
Burned by bad presets in the past? We get it.
We're here for you after you purchase, too.
Each pack comes with three raw files and a step-by-step training video to help you get started and find success.
You'll practice alongside Kirk Mastin editing from start to finish in the tutorial using the proven Mastin 3-Step Workflow. You'll be editing faster in minutes, achieving more consistent results both you and your clients will love.
Customer Reviews
5.0
Based on 25 Reviews
Write a Review
Ask a Question
- Reviews
- Questions
Filter Reviews:
- pack
- Natura
- presets
- Mastin
- Ektar
- CineStill
- 1600
- look
- life
- everything
C
09/15/2022
Carly
United StatesT-Max new go-to for couple's portraits
Cinestill & Natura both have their good uses, but get this pack simply for the T-Max P3200. Creates beautiful toning and really pushes that gritty, intimate feeling of film. I don't ordinarily do a lot of black and white edits, but I tested the preset on a recent couple's session and found 90% of the return gallery was T-Max. Completely boosted the depth of the photos, but visually and emotionally. And with nearly 1 click. Huge time saver so you can actually enjoy your photos versus squinting at them with blurry eyes. Imagine. (canon and sony shooter)
MM
08/23/2022
Missy M.
United StatesNatura 1600 is so “naturally” perfect!
I don’t think I’ve tried any other preset that is so nearly completely just by simply applying it! I can make lots of different presets work, but usually after a few personal-taste tweaks across the board before editing. I can’t believe how the Natura leaves me with almost no extra work besides exposure and some tint and temps adjustments! I thought I had found my new love in the Gold200 (which is also amazing!) But I kinda think Natura is definitely my go-to preset now! I’m a stickler for natural looking skin tones (the orange and dark look is not for me!) and Natura delivers that effortlessly!
